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Indigiqueer curators Michelle McGeough (Métis) and Léuli Eshrāghi (Tagata Sāmoa) led the Two-Spirit / Indigiqueer Emerging Curators’ Workshop hosted by the Canada Excellence Research Chair in Decolonial and Transformational Indigenous Art Practices, Heather Igloliorte (Inuk-Newfoundlander), in Lək̓ʷəŋən (Songhees and Esquimalt) territory at the University of Victoria, from March 13 - 17, 2024. This intensive workshop shared best Indigenous curatorial practices by the facilitators and their peers in an affirming context with in-depth projects from various northern and southern cultures. 

In Inuktutit, qiaqsutuq is the sound of the whistling wind and the sound of crying. In this collaborative multimedia installation created by five artists from across Inuit Nunaat (from their Inuit homelands in Alaska, Canada and Greenland) qiaqsutuq is critically imagined as a lament for nuna, tariuq, and sila, a chorus of its Arctic inhabitants from the land, sea and sky.

Running April 29-May 1, Across Lands and Waters will be the first major gathering of Igloliorte’s CERC network of mostly Indigenous artists, scholars, museum/gallery directors, curators, students and community members.
Over three days, participants will gather for lively discussions, gallery visits, land-based activities and performances, sharing current research and projects while making plans for future collaborations. 

Bonavista Biennale is an innovative, rural-based, public art event occurring every two years on Newfoundland’s Bonavista Peninsula. It provides a unique platform for artists and audiences to explore, exchange and challenge different ideas and perspectives. Biennale visitors experience artworks alongside the complex and compelling histories, economies, geological features and environments that shape the Bonavista Peninsula. Projects are realized in unconventional outdoor and indoor sites, including historic and industrial buildings, outport villages, beaches and cliffsides. The 2023 Biennale saw attendance figures of nearly 20,000.